Skip to main content

"Look What You Made Me Do," Taylor: Comment On Your New Single


When a new Taylor Swift single drops, the world pretty much stops (whether you love it or hate it). And it's a rare for a pop star nowadays to possess such power. I'll give Tay-Tay that.

So, upon giving her new single, "Look What You Made Me Do," several listens (you know, to be fair), I had several knee-jerk reactions.

But first, I feel I like need to provide some context with my assessment: I am not a diehard. With 1989, her epically successful previous album, I was actually a fan of tracks like "Style," "Out of the Woods," and "New Romantics," singles that, unfortunately, weren't as ubiquitous (read: overplayed) like the unrelenting "Shake It Off" and "Bad Blood." I appreciate some of her songwriting. She could deliver a good chorus. I could understand the passionate fandom.

However, we're entering a new era: the snake-filled social media teasers and black-and-white key art covered in newspaper headlines is positioning Taylor Swift as a newly born bad bitch who isn't afraid to address her "reputation" and come back with poisonous lyrics aimed directly at people who did her wrong. And according to her, she's "got a list of names." (David Mueller probably at the top.) How very Stripped, how very Revival, and how very I'm Not Dead of her, don't you think?

In other words, she's on the defensive, and that's...great?

I'm all for pop stars channeling their emotions into a song, but when you're on Taylor Swift's level, you run the risk of coming off as self-aggrandizing with your new material. And that's where "Look What You Made Me Do" is currently standing. She's fanning the flames of fan frenzy with this apparent clapback at her enemies, haters, whatever you wanna call them. And we've heard this all before, haven't we?

The repetitive title of the song is also very telling, echoing the growing sentiment of a generation that struggles with how to feel and react to negative forces and situations in their lives. "Look what you made me do?" No, girl. You are responsible for how you react, feel, and handle things. No one made you write this song. It's pointless to shift the blame on others for how shitty you feel. Also, "Look what you made me do" is a common phrase said by abusers after they release their rage. Just saying. The POV of this chorus makes me wonder...

Defending yourself is one thing, but being on the defensive is another. One involves protecting your dignity and standing for what's right, while the other involves a presumptuous attempt at lashing out at anyone or anything that threatens what you think is important. Maybe I'd enjoy this song more if it weren't so manufactured to manipulate millions into taking her side in her celebrity feud du jour (or broken heart). Maybe I'd enjoy this song more if it contained one iota of genuinely uplifting content rather than "dark" lyrics that border on promoting Mean Girlisms. (That said, thank God for Pink's new single.)

Plus, the reductive beat behind this semi-decent production (and the random, obscure "I'm Too Sexy" melody sample) does nothing but reveal how weak of a vocalist she clearly is. (I can say the same for other Top 40 artists, male and female.) And that music video sneak peek? Beyonce called. She wants her "Formation" pose back.

However, the ever-brilliant Louis Virtel does put a few things in perspective:


And while her army of fans will defend said single until their last breath (as any diehards would; I'm guilty of doing the same for one Miss Christina Aguilera, who hasn't met a defensive lyric she hasn't sung), I'm curious to see how long this mania plays out and how the rest of Reputation will sound like. I'm guessing there will be "collaborations" with other "hitmakers" and a catchy ode to all the fans who stood by her side through such "tough times."

Insert eye roll emoji.

Now, let's get back to more important matters.
@TheFirstEcho

Comments

Popular posts from this blog


13 Things You Probably Didn't Know About 'The Golden Girls'

When one nostalgically binges on all seven seasons of The Golden Girls like me (I swear I have a life), you pick up on a few things. Certain patterns appear as you continuously witness the consumption of countless cheesecakes inside a fictitious Miami kitchen and hear one St. Olaf story too many.

Here's what I noticed after playing my DVDs of this 80s classic over the past several months (and if you're already familiar with the following factoids, excuse me for underestimating your fanaticism)...

1. Actor Harold Gould, who played Rose's long-term boyfriend Miles Webber from Season 5 to Season 7 (and throughout most of the short-lived spinoff, The Golden Palace), also appears in the first season as Arnie Peterson, Rose's first serious beau after her husband's death.

2. The same can be said for Sid Melton, who played Sophia's deceased husband Sal (in flashbacks and dream sequences). He also appears in a Season 6 episode as a jester in a medieval-themed restauran…

Dream Casting the New "Death on the Nile"

Earlier this year, when the trailer for the most recent Murder on the Orient Express remake was dropped, I was hoping that someone at 20th Century Fox would have the foresight to concoct an Agatha Christie Cinematic Universe. After all, this is the world we now live in -- where every property coveted by a major studio must have the potential to be milked for all it's worth. Plus, as a former child raised by an Agatha Christie fan, I am somewhat familiar with this world, and experiencing new renditions of these titles as an adult is exciting.

And now that Kenneth Branagh's version of the Hercule Poirot mystery has been released (and raking in $150 million-and-counting worldwide), it seems like my prayers are being answered. The studio is going ahead with a "sequel" in the form of a remake of Death on the Nile, another death-filled destination about the Belgian detective taking a river cruise in Egypt and coming across another corpse and another group of suspects.

The…

Lori Loughlin Reunites with Daughter Olivia Jade: A Dramatization

The following is purely speculative for the purposes of our general entertainment and my possible employment to write the inevitable HBO/Hulu/Netflix/Ryan Murphy limited series...



EXT. THE MOSSIMO ESTATE - DAY

A black SUV makes its way through a throng of news vans and a mob of reporters. Cameras flash. A proverbial media circus. The SUV pulls up to the gate as it slowly opens.


EXT. THE MOSSIMO COURTYARD - CONTINUOUS

The SUV makes its way up the driveway and stops. A shaken LORI steps out of the car. She's clearly had a rough night and glances up at the house, preparing herself for what's to come. Her assistant, RILEY, 27, an overly groomed twunk running on three Venti lattes, is right there with her. 

He attempts to guide her to the door, but she waves him away.


INT. THE MOSSIMO ESTATE - FOYER

Lori and Riley enter the quiet house, the outside chaos suddenly muted. No one is there to greet them.


RILEY She should be upstairs in her room.
LORI And Isabella?
Riley solemnly shakes his head.
Lo…